One of the few really outstandingly positive things in my year was regrouping with old friends on New Year's Day in Memphis to play some music for the first time in 16 years or so. It far surpassed even my wildest expectations. And, as an unforeseen bonus, later in the year I managed to get back to Memphis for some studio work with the unspeakably awesome Linda Heck and Doug Easley. I only hope that 2011 may bring me some similarly satisfying moments. And bring you whatever you are missing in life as well... Happy New Year!
Friday, 31 December 2010
Tuesday, 28 December 2010
Merle does Marty
As a small child there was a lot of music in the house, a somewhat baffling mixture of Beatles, Nat King Cole, Andy Williams, soundtracks from various Broadway shows, and a lot of Ray Price and Merle Haggard. All this probably accounts for my impatience at spending too long with any one genre. Merle's certainly one of the more unique voices in country music history, though I've always heard a lot of Lefty Frizzell in his timbre and phrasing. This remarkable video clip reveals his immense talent as a mimic (this is the live album segment alluded to by Ralph Emery). Marty Robbins' expression at hearing himself done so flawlessly is a joy to behold.
Labels:
Bonnie Owens,
Marty Robbins,
Merle Haggard,
Ralph Emery
Tuesday, 21 December 2010
So much for "Ebony and Ivory"
BBC Radio 4 recently ran a great documentary (sadly no longer available) on TONTO and its creators, the special sauce behind Stevie Wonder's spate of classic albums in the early 70's. One sad revelation in it was that Stevie underwent a kind of personality change as the result of a head injury (which would probably explain a lot of his desultory later output), and this, coupled with the strained race relations of the time, led him and his handlers to conclude that the "white boys" behind the scenes deserved neither recognition nor royalties. So much for "Ebony and Ivory."
Labels:
Malcolm Cecil,
Robert Margouleff,
Stevie Wonder,
TONTO
Friday, 17 December 2010
R.I.P. Captain Beefheart
And the greats keep dropping like flies. I didn't discover him nearly as early as perhaps I should/could have, but once I did, a lot of things suddenly made sense, and certainly nothing was ever the same again. Thank you, Don Van Vliet.
Wednesday, 15 December 2010
Sunday, 12 December 2010
Wednesday, 8 December 2010
Hold On
Can it be 30 years today? I can certainly remember where I was - mopping the kitchen floor at the end of the night at the barftastic Steak and Ale, Poplar Avenue, Memphis. What a devastating moment.
Tuesday, 7 December 2010
Magicland
Innocent memories from that long-forgotten time when local TV stations actually produced programming. WMC TV5 newsman Dick Williams had a weekend side-gig as a magician on this long-running show, seen here in 1983. The furniture commercial was very typical of the time.
Friday, 26 November 2010
Different Trains
I just returned from a two-day business trip to Germany, where I always feel compelled to listen to Kraftwerk or "Krautrock" if I have occasion to ride a train. I know that's a painfully embarrassing cliche, but judging from taxi rides I've taken, and the muzak in the hotel I tend to stay in, it seems like the locals prefer 80's rock anthems and the theme from "Dirty Dancing," so I'm happy to let them have their Germany while I keep my own private version to myself. Anyway, I like the incongruity of this mash-up, and the scenes along the railway leaving Victoria are still eerily familiar after all these years.
Saturday, 13 November 2010
Rupert Murdoch knows about my secret moustache (and its debauchery)
I recently had the good fortune to stumble across this refreshingly insane Glaswegian trio, and I've been having a hard time keeping some of their songs out of my head ever since. This is one, and for the non-British readership, here is the background on the subject matter, if you're interested.
Driveway to Hell
So there I was thinking that my hood, East Dulwich, was on the sleepy side and lacking in serious rock-n-roll credentials. Imagine my surprise when I learned a couple of days ago that just two streets away from my humble hovel lies the site where rock legend Bon Scott was found dead in a Renault 5 on February 20, 1980.

The records say that he was found outside No. 67. This is a photo of 67A, which is nicer to look at than 67, but if you insist, check out the surrounding area, with the gargantuan and hideous Dawson's Heights Estate opposite. Surely Bon was not the first, nor the last, to find a dead end on this street.
View Larger Map
I was surprised to find no signs of any fan presence here, though it apparently does attract the odd visitor...
Premature rock deaths often seem to be accompanied by some sort of cruel irony. In this case, Bon Scott died at the tender age of 33, on Overhill Road. It was a long way to the top of Dawson's Hill.
The records say that he was found outside No. 67. This is a photo of 67A, which is nicer to look at than 67, but if you insist, check out the surrounding area, with the gargantuan and hideous Dawson's Heights Estate opposite. Surely Bon was not the first, nor the last, to find a dead end on this street.
View Larger Map
I was surprised to find no signs of any fan presence here, though it apparently does attract the odd visitor...
Premature rock deaths often seem to be accompanied by some sort of cruel irony. In this case, Bon Scott died at the tender age of 33, on Overhill Road. It was a long way to the top of Dawson's Hill.
Wednesday, 3 November 2010
Brian and Dick
Props to virtual friend Watson Smith who alerted me to the existence of this gem. Brian Eno interviewed by "Dick Flash" of "Pork Magazine," who looks and sounds suspiciously like Brian Eno with a wig and glasses, and possibly some voice manipulation. The idiot-interviewer-meets-hyperarticulate-artist formula inverted. This is one of the funniest things I have seen in some time.
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